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Fashion illustration eyes 2018

Date: 16.10.2018, 03:52 / View: 54372

A drawing picturing French women's fashion in the 1920s Tennis player, Australia 1924

The 1920s is the decade in which fashion entered the modern era. It was the decade in which women first abandoned the more restricting fashions of past years and eyes began to wear more comfortable clothes (such as short skirts or trousers). Men also abandoned highly formal daily attire and even began to wear athletic clothing for the first time. The suits men wear today are still based, for the most part, on those worn in the late 1920s. The 1920s are characterized by two distinct periods of fashion. In the early part of the decade, change was slow, as many were reluctant to adopt new styles. From 1925, the public passionately embraced the styles associated with the. These styles continue to characterize fashion until the worldwide depression worsened in 1931.



After, the United States entered a prosperous era and, as a result of its role in the war, came out onto the world stage. Social customs and morals were relaxed in the optimism brought on by the end of the war and the booming of the stock market. Women were entering the workforce in record numbers. The nationwide was ignored by many. There was a revolution in almost every sphere of human activity. Fashion was no exception; as women entered the workforce and earned the right to vote, fashion trends became more accessible, masculine, and practical. Flappers were a popular name given to women of this time because of what they wore. The constrictive corset, an essential undergarment to make the waist thinner, became a thing of the past.

The technological development of new fabrics and new means of fastening clothing affected fashions of the 1920s. Natural fabrics such as and were the abundant fabrics of the decade. Silk was highly desired for its luxurious qualities, but the limited supply made it expensive. In the late 19th century, "" was first made from a solution of cellulose in France. After being patented in the United States, the first American plant began production of this new fabric in 1910; this fiber became known as. Rayon stockings became popular in the decade as a substitute for silk stockings. Rayon was also used in some undergarments. Many garments before the 1920s were fastened with buttons and lacing, however, during this decade, the development of metal meant that there were easier means of fastening clothing shut. Hooks and eyes, buttons,, and were all utilized to fasten clothing.

Vastly improved production methods enabled manufacturers to easily produce clothing affordable by working families. The average person's fashion sense became more sophisticated. Meanwhile, working-class women looked for modern forms of dress as they transitioned from rural to urban careers. Taking their cue from wealthier women, working women began wearing less expensive variations on the day suit, adopting a more modern look that seemed to suit their new, technologically focused careers as typists and telephone operators.

Though simple lines and minimal adornment reigned on the runways, the 1920s were not free of luxury. Expensive fabrics, including silk,, and were favored by high-end designers, while department stores carried less expensive variations on those designs made of newly available synthetic fabrics. The use of mannequins became widespread during the 1920s and served as a way to show shoppers how to combine and accessorize the new fashions. The modern fashion cycle, established in the 1920s, still dominates the industry today. Designers favored separates in new fabrics like that could be mixed and matched for work and modern, informal, un-chaperoned social activities like attending films or the theater and car rides.

Women's wear[]

Paris set the fashion trends for Europe and North America. The fashion for women was all about letting loose. Women wore dresses all day, everyday. Day dresses had a drop waist, which was a sash or belt around the low waist or hip and a skirt that hung anywhere from the ankle on up to the knee, never above. Daywear had sleeves(long to mid-bicep) and a skirt that was straight, pleaded, hank hem, or tired. Hair was often bobbed, giving a boyish look.

For men in white collar jobs, business suits were the day to day attire. Striped, plaid, or windowpane suits came in dark gray, blue, and brown in the winter and ivory, white, tan, and pastels in the summer. Shirts were white and neckties were essential.

Clothing fashions changed with women's changing roles in society, particularly with the idea of new fashion. Although society matrons of a certain age continued to wear conservative dresses, the worn by forward-looking and younger women became the greatest change in post-war fashion. The tubular dresses of the 'teens had evolved into a similar silhouette that now sported shorter skirts with pleats, gathers, or slits to allow motion. The most memorable fashion trend of the Roaring Twenties was undoubtedly “the ” look. The flapper dress was functional and flattened the bust line rather than accentuating it.

The straight-line chemise topped by the close-fitting became the uniform of the day. Women "", or cut, their hair short to fit under the popular hats, a radical move in the beginning, but standard by the end of the decade. Low-waisted dresses with fullness at the hemline allowed women to literally kick up their heels in new dances like the. In 1925, "shift" type dresses with no waistline emerged. At the end of the decade, dresses were being worn with straight bodices and collars. Tucks at the bottom of the bodices were popular, as well as knife-pleated skirts with a hem approximately one inch below the knee.

In the world of art, fashion was being influenced heavily by art movements such as. After World War I, popular art saw a slow transition from the lush, curvilinear abstractions of decoration to the more mechanized, smooth, and geometric forms of. is one key Italian designer of this decade who was heavily influenced by the "beyond the real" art and incorporated it into her designs.

Proper attire for women was enforced for morning, afternoon, and evening activities. In the early part of the decade, wealthy women were still expected to change from a morning to an afternoon dress. These afternoon or “tea gowns” were less form-fitting than evening gowns, featured long, flowing sleeves, and were adorned with sashes, bows, or artificial flowers at the waist. Evening gowns were typically slightly longer than tea gowns, in satin or velvet, and embellished with beads, rhinestones, or fringe.


One of the key accessories in the 20s was the Cloche Hat. "In 1926 vogue stated “The Bob Rules,” just 9 years after the influential dancer,, cut her hair. This trending topic inspired a 1920 short story by, called Bernice Bobs Her Hair, and many editorials in Vogue throughout the decade." The bob hairstyle matched perfectly with the lose and straight silhouette of the times. During this era Vogue gave credit to this new cut for the immense success in the hat business. New haircuts meant new styled hats, therefore there was a new craze for hats. The cloche hat and the bob were basically made for each other.

Jewelry was less conspicuous. Jewelry was much less elaborate and romantic, more natural shapes took their place. The movement of 1890-1910 inspired most of the natural forms and geometric shapes of the jewelry during the 1920s. "Aesthetic clean lines were inspired by designs found in industrial machines. A key influence of this modernism was the influential Bauhaus movement, with its philosophy of form following function. Contrasting textures and colour were also in fashion. Examples of changing tastes in design were the use of diamonds being set against onyx or translucid citrines and amethysts juxtaposed against opaque coral and jade." Even though, geometric shapes and cleaner shaped jewelry was now a trend, one of the key pieces was the long rope pearl necklace. The long rope pearl neckless was a signature faux piece that was sold everywhere the time. It was inexpensive and basic in a womans wardrobe. "Although buffeted by cycles of boom, depression and war, jewelry design between the 1920s and 1950s continued to be both innovative and glamorous. Sharp, geometric patterns celebrated the machine age, while exotic creations inspired by the Near and Far East hinted that jewelry fashions were truly international."

Shoes were finally visible during the 1920s. Before, long garments covered up shoes, so they weren’t an important part of women fashion. Now, shoes were seen by everyone and played an important part during the 1920s. Women had all kinds of shoes for all kinds of events. Everything from house shoes, walking shoes, dancing shoes, sporting shoes, to swimming shoes. The shoe industry became an important industry that transformed the way we buy shoes today. Shoes were made in standard sizes perfect to order from fashion catalogs to the near boutique. "The which fastened with a strap and a single button became the most popular during the 1920s. It was worn with the new short skirts and was practical for their vigorous style of dancing."

The influence of jazz[]

“”, a term coined by F. Scott Fitzgerald, was a phrase used to represent the mass popularity of jazz music during the 1920s. Both jazz music and dance marked the transition from the archaic societal values of the Victorian era to the arrival of a new youthful modernistic society. Jazz gained much of its popularity due to its perceived exoticness, from its deep African roots to its melodic and soulful rhythm. The music itself had quite an alluring effect on the new youthful society and was considered to be the pulse of the 1920s. In fact, jazz music and the dance are responsible for the origin of the iconic term “”, a group of new socially unconventional ladies. When dancers did the Charleston, the fast movement of the feet and swaying of the arms resembled the flapping movements of a bird. Jazz music sparked the need to dance, and dance sparked the need for new clothing, especially for women.

Dances such as the and the in particular created a need for a revival in women’s evening wear due to the dynamic and lively manner of these jazz dances. Dress and skirt hems became shorter in order to allow the body to move more easily. In addition, decorative embellishments on dresses such as fringe threads swung and jingled in sync with the movement of the body. Lastly, the use of glossy and ornate textiles mirrored light to the tempo of jazz music and dance. Jazz music and its perceived exotic nature had both a flamboyant influence on fashion while keeping both form and function in mind.

Jazz and its influence on fashion reached even further, with both jazz and dance motifs making their way onto. These new textile designs included uneven repetitions and linear geometric patterns. Many textile patterns produced in the United States also incorporated images of both jazz bands and people dancing to jazz. The print Rhapsody shows a textile produced in 1925 representing a jazz band in a polka-dot like manner. Not only did textiles take motifs of people dancing and playing jazz music, they included designs that were based off the overall rhythmic feel and sound of jazz music and dance.

The boyish figure

Undergarments began to transform after World War I to conform to the ideals of a flatter chest and more boyish figure.The female figure was liberated from the restrictive corset, and newly popular the boyish look was achieved through the use of bust bodices. Some of the new pieces included chemises, thin camisoles, and cami-knickers, later shortened to panties or knickers. These were primarily made from rayon and came in soft, light colors in order to be worn under semi-transparent fabrics. Young flappers took to these styles of underwear due to the ability to move more freely and the increased comfort when dancing to the high tempo jazz music. During the mid-1920s, all-in-one lingerie became popular.

For the first time in centuries, women's legs were seen with hemlines rising to the knee and dresses becoming more fitted. A more masculine look became popular, including flattened breasts and hips, short hairstyles such as the bob cut,, and the. The fashion was bohemian and forthcoming for its age.

One of the first women to wear trousers, cut her hair, and reject the corset was. Probably the most influential woman in fashion of the 20th century, Coco Chanel did much to further the emancipation and freedom of women's fashion.

, a new designer on the French scene, began making two-piece sweater and skirt outfits in luxurious wool jersey and had an instant hit for his morning dresses and sports suits. American women embraced the clothes of the designer as perfect for their increasingly active lifestyles.

By the end of the 1920s, stepped onto the stage to represent a younger generation. She combined the idea of classic design from the Greeks and Romans with the modern imperative for freedom of movement. Schiaparelli wrote that the ancient Greeks "gave to their goddesses... the serenity of perfection and the fabulous appearance of freedom." Her own interpretation produced evening gowns of elegant simplicity. Departing from the chemise, her clothes returned to an awareness of the body beneath the evening gown.

Style gallery 1920–25
  • 1 - 1920

  • 2 - 1921

  • 3 - 1922

  • 4 - 1922

  • 5 - early 1920s

  • 6 - 1923

  • 7 - 1924

  • 8 - 1925

  • 9 - 1920s

  • 10 - 1920s

  1. , 1920
  2. was usually covered in the 1920s, here by a hat reaching to the eyebrows.
  3. , 1922
  4. , Lanvin, 1922
  5. in formal wear, early 1920s
  6. with a dropped waist and width at the hips, 1923
  7. in Minnesota wearing breeches and riding boots with men's neckties, 1924
  8. , skirts ended just below the knee. Tunic-tops and sweaters reaching to the hips were popular.
  9. with bobbed hair in breeches and boots, 1920s
  10. , in the mid-1920s with bobbed hair
Style gallery 1926–29
  • 1 – 1926

  • 2 – 1926

  • 3 – 1926

  • 4 – 1927

  • 5 - 1927

  • 6 - late 1920s

  • 7 – May 1928

  • 8 – 1929

  • 9 – 1929

  1. wearing a cloche hat and boldly patterned coat, 1926
  2. in a straight dress with a sheer beaded overdress, 1926
  3. showing the mid-decade silhouette at its simplest: languid pose, bobbed hair, knee-length dress with dropped waist, 1926
  4. used multiple hemlines (here, tiers of ruffles) to accustom the eye to longer skirts. This dress foreshadows the higher waist and feminine look that spread to everyday fashion by the early 1930s.
  5. wearing cloche hat, 1927
  6. hiding a hip flask tucked in her garter belt during, 1920s
  7. . After many years of a "stovepipe" silhouette, "natural" curves were beginning to reappear.
  8. , pleated skirts and dropped waists were still popular as everyday clothes in 1929, though Paris designers were already showing longer skirts and higher waistlines.
  9. gowns of 1929 have knee-length underskirts and longer, sheer over skirts, foreshadowing the trend toward longer skirts. Minnesota, 1929


In menswear, there were two distinct periods in the 1920s. Throughout the decade, men wore short jackets, the old long jackets being used merely for formal occasions. In the early 1920s, men's fashion was characterized by extremely high-waisted jackets, often worn with belts. Lapels on suit jackets were not very wide as they tended to be buttoned up high. This style of jacket seems to have been greatly influenced by the uniforms worn by the military during the First World War. Trousers were relatively narrow and straight and they were worn rather short so that a man's socks often showed. Trousers also began to be worn cuffed at the bottom at this time.

By 1925, wider trousers commonly known as came into fashion, while suit jackets returned to a normal waist and lapels became wider and were often worn peaked. Loose-fitting sleeves without a taper also began to be worn during this period. During the late 1920s, vests, often worn with a jacket, also became quite fashionable. During the 1920s, men had a variety of sport clothes available to them, including and short trousers (commonly known in American English as knickers). For formal occasions in the daytime, a morning suit was usually worn. For evening wear men preferred the short to the tail coat, which was now seen as rather old-fashioned and snobby.

Men’s fashion also became less regimented and formal. Men favored short jackets with two or three buttons rather than jackets with long tailcoats as well as pinstriped suits. Casual-wear for men often included knickers, short pants that came to the knee.

The most formal men's suit consisted of a black or midnight-blue swallow-tailed coat trimmed with satin, and a pair of matching trousers, trimmed down the sides with wide braid or satin ribbon. A white bow tie, black silk, white gloves, patent leather, a white silk, and a white flower completed the outfit. The tuxedo vest could be black or white, but, unlike the obligatory full-dress white tie, tuxedos ties were always black. Men usually completed their tuxedo outfit with all the same accessories as the full-dress suit, except that instead of top hats they would wear dark, dome-shaped hats called. Just like women, men had certain attire that was worn for certain events. Tuxedos were appropriate attire at the theater, small dinner parties, entertaining in the home, and dining in a restaurant. During the early 1920s, most men's dress shirts had, instead of a collar, a narrow neckband with a buttonhole in both the front and back. By the mid-1920s, however, many men preferred shirts with attached collars, which were softer and more comfortable than rigid, detachable collars.

Men's hats

Men's hats were usually worn depending on their class, with upper class citizens usually wearing or a. Middle class men wore either a,, or a. During the summer months, a was popular for upper class and middle class men. Working-class men wore a standard or a.

Style gallery
  • 1 - c. 1920

  • 2 - 1923

  • 3 - 1924

  • 4 - 1929

  • 5 - 1920s

  • 6 - 1927

  • 7 - 1927

  • 8 - 1929

  1. , c. 1920
  2. wearing an and soft-crowned hat with a, December 1923
  3. wearing a three-piece striped suit with a spread-collar shirt, 1924
  4. wearing and spats in wedding photo, 1929
  5. as a teenager wearing, 1920s
  6. Man wearing a and buttoned, 1927
  7. wearing a stuff collar and bow tie, 1927
  8. German aviators, one a prince, 1929

During the 1920s, the notion of keeping up with fashion trends and expressing oneself through material goods seized middle-class Americans as never before. Purchasing new clothes, new appliances, new automobiles, new anything indicated one's level of prosperity. Being considered old-fashioned, out-of-date, or—worse yet—unable to afford stylish new products was a fate many Americans went to great lengths to avoid.

For women, face, figure, coiffure, posture, and grooming had become important fashion factors in addition to clothing. In particular, cosmetics became a major industry. Glamour was now an important fashion trend due to the influence of the motion picture industry and the famous female. Style, at many social levels, was heavily influenced by the newly created, larger-than-life movie stars. For the first time in history, fashion influences and trends were coming from more than one source. Not unlike today, women and men of the 1920s looked to movie stars as their fashion icons. Women and men wanted to emulate the styles of stars such as,,, and.

Work clothes[]

For women in the 1920s, tailored suits with a straight, curveless cut were popular. Throughout the decade, the lengths of skirts were rise to the knee and then to the ankle various times affecting the skirt style of tailored suits. Rayon, an artificial silk fabric, was most common for working class women clothing.

For working class men in the 1920s, suits were popular. Depending on the job title and season of the year, the suit would change.

Children's fashion[]

Fashion for children started to become more stylish and comfortable in the 1920s. Clothes were made out of cotton and wool rather than silk, lace, and velvet. Clothes were also made more sturdy in order to withstand play. During previous decades, many layers were worn; however, during the 1920s, minimal layers became the new standard.

For girls, clothing became looser and shorter. Dresses and skirts were now knee length and loose fitting. Shoes were also made out of canvas, making them lighter and easier to wear.

For boys, knee-length trousers were worn all year long and would be accompanied by ankle socks and canvas shoes. Pullovers and cardigans were also worn when the weather became cooler.

  • 1 – 1921

  • 2 – 1925

  • 3 – 1927

  • 4 - 1920s

  1. , Mississippi, 1921
  2. , Germany, 1925
  3. Two-year-old Paulina with her mother,, wearing a winter costume of coat and trousers, 1927
  4. wearing a, 1920s

See also[]

  1. ^ Marsha West. Fashion Trends of the Twenties. July 1, 2008.
  2. ^ Pop Culture Universe: Icons, Idols, Ideas. ABC-CLIO, 2011. Retrieved December 24, 2012.
  3. Mary Louise Roberts, "Samson and Delilah revisited: the politics of women's fashion in 1920s France." American Historical Review 98.3 (1993): 657-684.
  4. Steven Zdatny, "The Boyish Look and the Liberated Woman: The Politics and Aesthetics of Women's Hairstyles." Fashion Theory 1.4 (1997): 367-397.
  5. Angel Kwolek-Folland, Engendering Business: Men and Women in the Corporate Office, 1870-1930 (Johns Hopkins UP, 1994).
  6. ^ Carol Nolan. Retrieved December 24, 2012.
  7. . Vogue
  8. Simon Bliss, "'L’intelligence de la parure': Notes on Jewelry Wearing in the 1920s." Fashion Theory 20.1 (2016): 5-26.
  9. . Winterson
  10. . Victoria and Albert
  11. Sancaktar, Asli. (PDF). 
  12. ^ Langley, Susan (2005-09-28). Roaring '20s Fashions: Jazz. Atglen, PA: Schiffer Publishing.  . 
  13. Hannel, Susan L.. :. 
  14. L., Hannel, Susan (2002).. 
  15. . Cooper Hewitt, Smithsonian Design Museum. Retrieved 2017-10-09. 
  16. Thornton, Zita (2011). Fashion for a Jazz Age. 1006 S. Michigan Avenue, Chicago, IL 60605: Lightner Publishing Corp. p. 39. 
  17. The Spirella Magazine. May 1928. p. 72.
  18. ^ Bob Batchelor. American Pop: Popular Culture Decade by Decade, Volume 1: 1900–1929. Greenwood Press, 2009. pp. 292-302.
  19. Vermont, Jens Hilke, University of.. www.uvm.edu. Retrieved 2016-11-15. 
  20. . glamourdaze.com. Retrieved 2016-11-15. 
  21. . VintageDancer.com. 2013-06-21. Retrieved 2016-11-15. 
  22. ^. LoveToKnow. Retrieved 2016-10-17. 

Further reading[]

  • : Patterns of Fashion 2: Englishwomen's Dresses and Their Construction C.1860–1940, Wace 1966, Macmillan 1972. Revised metric edition, Drama Books 1977.  
  • Black, J. Anderson, and Madge Garland, A History of Fashion, New York, Morrow, 1975
  • Boucher, François: 20,000 Years of Fashion, Harry Abrams, 1966.
  • Laver, James: The Concise History of Costume and Fashion, Abrams, 1979.
  • Nunn, Joan: Fashion in Costume, 1200–2000, 2nd edition, A & C Black (Publishers) Ltd; Chicago: New Amsterdam Books, 2000. (Excerpts online at )
  • Russell, Douglas A. " Costume History and Style" Stanford University, 1983.
  • Steele, Valerie: Paris Fashion: A Cultural History, Oxford University Press, 1988,  
  • Steele, Valerie: The Corset, Yale University Press, 2001

External links[]

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